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Showing posts with label Black Metal. Show all posts
Showing posts with label Black Metal. Show all posts

Wednesday, June 21, 2017

Sargatanas (Mex) - The Enlightenment


Artist: Sargatanas (Mex)
Release Title: The Enlightenment
Year: 1999 (2017 reissue)
Label: Conquistador Records (Old Temple reissue)
Genre: Old-School Black/Death Metal
Tracklisting:
1. Eternal Darkness
2. Fear and Suffering
3. The Proclamation
4. Diatribe of the Occult
5. Ritual of the Advent
6. Satan's Curse (Possessed cover)
7. Satanist
8. Veneration of the Black Mark in the Ancestral Forest
9. Doom of Fire
10. Sargatanas
11. Blessed Are the Sons of the Black Flame
12. The Enlightenment

Formed back in 1986, long-running Mexican black/death legends Sargatanas have taken plenty of time to settle on their first professional output as the constant crop of musicians have halted their legacy until the mid-90s when their first demo releases were released. Now finally prepared for their first proper release, the groups’ debut full-length effort was released in 1999 by Conquistador Records before a reissue February 10, 2017 on Old Temple.

Churning out plenty of viciousness, the group display quite a profound and determined understanding of their sound right off the bat on this release. The vast majority of the album contains plenty of slow, lethargic riff-work utterly drowning in old-school tremolo style rhythms, letting this one evoke a truly chilling and darkened atmosphere by droning on through their patterns here. The agonizing patterns, featuring plenty of majestic rhythms and sprawling sections generate the kind of plodding pace that stands out here especially once the album kicks up slightly. These are mainly based on featuring the tremolo riff-work and pounding drum-work in a far more up-tempo and energetic series of patterns that offer a strong dynamic variety against the plodding rhythms here, and with the whole affair completely draped in that raw, churning atmosphere it works so well to its advantage. However, one of the biggest issues here is the fact that this one is just so overlong and bloated that it becomes somewhat of a chore to get through. There comes a point in the later half where it all starts blending into a blur of rather hard-edged but still repetitive tremolo riffing and churning rhythms that sound way too similar to stand-out. Given that this one contains way too many songs for its own good in that format is what ultimately ends up bringing this one down as well since there’s no real reason why it had to be this lengthy and could’ve cut out a few tracks to make it less obvious. Still, for a debut, this isn’t that bad.

While there are way too many repetitive moments here because it’s filled to bursting with too many elements it didn’t need from having so many tracks throughout here, the fact that for the most part it’s still a devastating and dynamic offering makes this a choice look for those that love that raw, old-school black/death metal style.

Score: 82/100

Tuesday, June 13, 2017

Dominate - Cálicem Serpente


Artist: Dominate (Col)
Release Title: Cálicem Serpente
Year: 2016
Label: Black Serpent Records
Genre: Black/Thrash Metal
Tracklisting:
1. Brave Warrior
2. Deserter
3. Cálicem Serpente
4. Evil
5. Imperial Army
6. Death Awaits
7. Unmerciful Holocaust
8. Cold Bloody Murder (Rare Version)

Formed back in 2008, the Colombian black/thrashers under the name Dominate took their time honing their cold, icy sound combining the concepts of paganism, occultism, world wars, philosophy, the return of man to his union with the universe and nature. Finally able to offer their first professional recording, the groups’ full-length debut was released in 2016 by Black Serpent Records.

From the onset, the group clearly favors the typically extreme end of the South American scene by offering everything that can be expected in such efforts. There’s plenty of traditional blackened thrash riff-work throughout here, taking up the raw end of the spectrum by going through the simplistic, straightforward paces with a reckless intensity that’s quite ferocious. Due to the rather simplistic manner the vast majority of the songs are an endless variation of fast, frantic and sloppy riff-work that blazes along at pretty consistent tempos as the only real variations found here is when it shifts into a solid mid-tempo chug following the rousing thrash-style efforts. This ends up exposing the rather sloppy and utterly simplistic matter of how the album is pretty much a showcase of one-gear songs that aren’t really technical standouts. The songs hit hard and viciously, but after awhile there’s not a whole lot to offer from this one with the sloppy and reckless play throughout here. As well, this is also hampered by being so obviously low-budget that the album does suffer from a weak production, filled with muddy guitars, weak drums and an utter lack of crisp sound ends up making this one much weaker than it should be by standing out quite obviously here. These here are what hold this one back.

While not a truly awful debut release, there’s quite a lot to like here with the infectious energy and rabid attack that’s much more prominent here that it does overcome enough of the flaws here to appeal to the fans of the South American extreme scene only while those looking for more quality in their efforts should heed caution.

Score: 67/100


Does it sound good? Order it from here:
https://www.facebook.com/DOMINATE.THRASH.BLACK.METAL/

Monday, June 12, 2017

Rites to Sedition - Ancestral Blood


Artist: Rites to Sedition
Release Title: Ancestral Blood
Year: 2017
Label: Self-Released/Independent
Genre: Melodic Black Metal
Tracklisting:
1. Waveform 66
2. The Moon Titan Phylon
3. Echelons of Imposition
4. Ancestral Blood
5. Sorcerers of Atlantis
6. Wartide
7. The Soul-Mind Catechism
8. The Golden Aeon of Saturnia

Formed just in 2014, North Carolina-based melodic black metallers Rites to Sedition have taken their influence from the old-school melodic black metal scene to craft an ambitious effort upon the origins of man and his epic quest to overcome occult mysteries. Dropping to a four-piece before recording as Gabriel Lucia took over vocal duties from original vocalist Brian Kingsland, their self-released debut album was released March 29, 2017.

From the beginning, this one comes complete with a stellar series of influences and musicianship that positions them immediately into the genre’s upper echelons. This is mainly built around the utterly phenomenal riff-work present, featuring plenty of thrilling tremolo patterns full of fiery rhythms and a multitude of tempo changes that allows this one to generate a slew of exciting rhythms. By adding in a technicality to these riffs alongside the ability to utilize the grandiose soundscapes throughout here, this manages to acquire a feeling of explosive icy black metal riffing that develops a variety of tempos and patterns throughout here as the vast array of exceptionally glorious rhythms throughout here which help to make the melodic leads all the more impressive. Running over furious tempos as well as plodding mid-paced efforts makes a huge impact on their rhythms by enabling this one to readily shift focus into the varying tempos and not lose any sense of power or grandeur in the attack, making this a spectacular showing that’s able to generate these varying moods and atmospheres here. If you’re into picking for flaws of the album, this one does tend to feel it’s length with the fact that the tracks here really get up there in length and that does make this feel somewhat of a drag as it goes on. However, it’s still not all that detrimental an effort.

With just the most minor of barely-detrimental issues cropping up throughout this one, there’s plenty to absolutely enjoy about this one as there are so many enjoyable and surprising elements to be found here that this makes for an easy recommend for fans looking for melodic or symphonic-heavy black metal.

Score: 95/100


Does it sound good? Order it from here:
https://ritestosedition.bandcamp.com/album/ancestral-blood

Sunday, June 11, 2017

Demonic Slaughter - Haunted



Artist: Demonic Slaughter
Release Title: Haunted
Year: 2014
Label: Pagan Records
Genre: Old-School Black Metal
Tracklisting:
1. Pit of Coffins
2. Mystic Rites
3. Psalm of Mist
4. Haunted
5. Madness and Astral Emanations
6. Monks of Cold Mountains
7. Żałobna procesja (Mournful Procession)
8. Wyklęty (The Wretched)
9. Death’s Creek

Furthering their connection to the old-school, Polish black metallers Demonic Slaughter have settled into a solid reputation for not only their boundless proficiency but also their dedication to writing and recording material in the traditional old-school manners. With drummer Nuklear Kriss departing in favor of new drummer Opium, the group’s fifth full-length was originally released December 10, 2014 on Pagan Records.

As has been the bands’ penchant from the beginning, this here offers up a non-stop assault of traditional Norwegian-styled black metal without much deviation. This one tends to revolve around simplistic tremolo riffing and straightforward rhythms that charge forward without altering themselves or changing up the stylistic charge here with these being placed alongside harmonic melodies and choppy drumming. This is a mostly continuous assault here that’s unwavering in it’s charge with these elements being brought to bear on the tracks without exception, and these find melodies featured throughout here are really where the majority of the album is taken up by the solid infusion of those melodies running nicely alongside the plodding tempos. When it gets to the more charging sections, this change in tempo and aggression leads to some more engaging efforts alongside the pronounced melodic efforts featured here, though these are still dominated by the melodic mindset for the most part. That is the album’s one weakness here with the rather sluggish, driving rhythms not really generating much energy or fiery rhythms which tends to make for a somewhat bland overall impression here that tends to feature the band going through the same overdrawn, bland rhythms for the most part. It’s not entirely detrimental as the melodies are engaging enough, but this one really could’ve used some extra fire.

Though it’s somewhat hampered by the fact that there are some rather bland and somewhat lifeless melodies brought to bear on the album as a whole, this one still emerges with enough positives from the melodic atmosphere and old-school rhythms to give this one some appeal to the most devout old-school black metal aficionado only.

Score: 78/100


Does it sound good? Order it from here:

Saturday, June 3, 2017

Loathfinder - The Great Old Ones EP


Artist: Loathfinder
Release Title: The Great Old Ones EP
Year: 2017
Label: Godz ov War Productions
Genre: Black/Doom Metal
Tracklisting:
1. Genetic Gloom
2. Feast on My Entrails
3. Scents of Regression
4. The Great Tired Ones

Having formed just recently, Polish black/doom metal newcomers Loathfinder have started up in the guise of finding the most lethal forms of their sound together in one murky, lethargic tone that’s incredibly professional for their first effort. With the band finally able to go for a full-length first offering, the groups’ debut EP was originally self-released April 24, 2017 before a CD reissue four days later on Godz ov War Production.

From the start, this here is obviously a rather strong immersion into this particular brand of elements mixing together from these fields. Lead by sprawling sections with plodding tempo-arrangements that bring deep, swirling riff-work and plenty of long, drawn-out rhythms that offer quite a featured doom influence on the music. This prominence does tend to overwhelm here with the crawling, lurching tracks readily coming upon the more epic soundscapes present in these drawn-out sections that give this a lot of it’s staying power. Added together with those elements is a grand, darkened filth-riddled atmosphere from the vocals that adds a grittiness and darkness which adds an incredibly appealing vibe with the material, adding a nice layer to the churning riffing by making it rather dirty and enhancing the plodding rhythms. Although that does make the tracks run into each other way too much which is to be expected due to the brevity of the release and the fact being this is a debut pressing from the band, neither of these issues really hold this back too much.

Not really featuring too many flaws in terms of the music and featuring plenty that can be overlooked anyway for a variety of factors, this is a strong and polished debut that offers a serious amount of quality material for any fan of blackened doom metal or likes the slower side of extreme metal.

Score: 83/100


Does it sound good? Order it from here:
https://godzovwarproductions.bandcamp.com/album/the-great-tired-ones

Tuesday, May 23, 2017

War Legion - Gran Satanás


Artist: War Legion
Release Title: Gran Satanás
Year: 2016
Label: Self-Released/Independent
Genre: Old-School Black Metal
Tracklisting:
1. Intro
2. Gran Satanás
3. Abismo mental
4. En nombre de Satán
5. Destroying the Enemy
6. Guerra y sodomía
7. La era del mal

Formed just in 2015, Colombian black metal power-trio War Legion wasted little time in bringing forth a brand of filth and old-school grime into the crowded scene as the band quickly brought forth a rather impressive style of attack. Quickly unleashing their ravenous assault on audiences, the groups’ self-released full-length debut was originally released November 12, 2016.

Bringing forth the ravenous old-school charm, the group manages to elicit plenty of filth and fury in their overall sound and presentation. Bolstered by that relentless style of tremolo riff-work prevalent in the scene, this bounces along through the somewhat sloppy yet still engaging attempts at frantic rhythms. Given that the sloppiness of the material is still present here, it simply adds to the ferocity and intensity as the riffing adopts a straightforward nature filled with plenty of tight, blistering riffing that adds an incredible fiery energy to the tracks when aided by the relentless pounding of the drumming throughout here. While this tends to be the case for the most part here, the fact that this one does seem incredibly short with the album’s running time and tracklisting making it seem like a demo or an EP effort rather than a full-length. This is certainly a case where it could’ve used more on here to build it up a little better since the attack is quite nice if formulaic of so many of the other genre entities which lowers this a little more as well. Still, this one has a lot to like overall.

While it does have a slight problem with the tracklisting keeping this one down somewhat, there’s still plenty of enjoyable elements to this one with their old-school ferocity that helps to raise this one up enough to be quite worthwhile for fans of extreme South American black metal or old-school black metal in general.

Score: 80/100


Does it sound good? Order it from here:
https://warlegion.bandcamp.com/releases

Tuesday, May 16, 2017

Hellripper - Coagulating Darkness


Artist: Hellripper
Release Title: Coagulating Darkness
Year: 2017
Label: Barbarian Wrath
Genre: Black/Thrash (Speed) Metal
Tracklisting:
1. Bastard of Hades
2. Anneliese
3. Demdike (In League with the Devil)
4. Within the Everlasting Hellfire
5. From Hell
6. Black Invocation
7. Conduit Closing
8. Coagulating Darkness

Storming out of the underground in 2014, Scottish one-man black/speed metal project Hellripper is a part of the vast catelog of quality projects created by James McBain to spread his strong musical voice to the masses through the variety of these projects. After numerous highly-praised splits and EP releases, the full-length debut was initially released April 14, 2017 on Barbarian Wrath.

Much like previous efforts, once again this one offers a full-scale assault of their previous assault of blackened fiery speed metal in a more professional setting. Built around even more of the fiery riff-work, the stylish leads and frantic outbursts that were apparent on their previous outings only taken to a more glossy sheen, it brings out even more dynamic intricacies in the bombastic riffing as the relentless energy continually pouring out. The volley of tight riffing featured here creates such a whirlwind of vicious, high-energy speeds that bounce along at truly engaging speeds that it makes for a far more engaging experience with the remainder of the instrumentation following suit on the thrashing within each of the tracks. That each of the tracks here feature such a ferocious energy and fiery performances is all the more impressive due to the project being a solo endeavor, and that all helps to create an engaging and exciting experience. The fact that the album is just so brief and could use a little more to enhance the experience is about the only downfall here, making this one seem to be over before it’s really getting started and contains so much quality material within that a little more time and exposure to this kind of quality would’ve been appreciated. Otherwise, this is truly an engaging and explosive offering.

Really, the fact that we need more tracks here as the experience is so much fun and really over before it really should’ve been being the only flaw found here is what makes this one a no-doubt purchase for fans of dark, ravenous thrash, black/thrash metal in general or fans of his other projects.

Score: 98/100


Does it sound good? Order it from here:
https://hellripper.bandcamp.com/album/coagulating-darkness

Friday, April 28, 2017

Prometheus (Greece) - Consumed in Flames


Artist: Prometheus (Greece)
Release Title: Consumed in Flames
Year: 2017
Label: Katoptron IX Records
Genre: Old-School Black Metal
Tracklisting:
1. The Disgusting Tongues
2. Hand of War
3. Seth
4. Vulture All Black
5. Prometheus Rising
6. Hatesworn
7. Consumed in Flames
8. Hand of War

Long-time members of the scene, Greek black metallers under the name Prometheus have suffered plenty of issues in their decade-plus holdover from their demo days as a terrible motorcycle accident with the band members halted their progress considerably. Now finally at the strength required for their first release, the bands’ full-length debut was released April 28, 2017 on Katoptron IX Records.

Starting out on a strong note, the band decides to offer up a rather impressive style of influences to make for a rather rousing and enjoyable affair. Generally the attack falls into the second-wave worship of Norwegian style old-school black metal, featuring a full assortment of tremolo riff-work and fiery brimstone-soaked rhythms that retain the general hallmarks of the scene. This is fast, fiery and utterly frantic patterns that make for a rather explosive outing here generating some rather fun times, going from the blistering tremolo-styled frantic blasting to a more controlled mid-tempo series of rhythms that offers a great deal of variety in the music throughout here while giving these parts a special charge with the inclusion of a churning rhythm section courtesy of more death metal influences. The deep, rumbling grooves and stylistic drumming that gets carried out here makes for a wholly more vicious attack alongside the thrilling traditional black metal attacks. Given that the majority of the album focuses on this style of attack which produces these rather epic arrangements, there’s not a whole lot to dislike here as the album plays it straight for the most part, and it really only comes off with a few minor strikes here with the frequent low-tempo sections that plod along rather lamely more than anything, but this isn’t enough to really deter the album for the most part.

Given plenty of room to work through some rather impressive features here, this one manages to come across rather well without too many flaws overall and barely detrimental ones at that which makes this one a wholly worthwhile choice for fans of the second wave of Norwegian black metal.

Score: 91/100


Does it sound good? Order it from here:

Thursday, April 27, 2017

Infernal Angels - Ars Goetia


Artist: Infernal Angels
Release Title: Ars Goetia
Year: 2017
Label: My Kingdom Music
Genre: Melodic Black Metal
Tracklisting:
1. Amdusias: The Sound of Hell
2. Vine: Destroyer of the World
3. Asmoday: The Impure Archangel
4. Purson: Matter and Spirit
5. Bael: The Fire Devour Their Flesh
6. Paimon: The Secret of Mind
7. Balam: Under Light and Torment
8. Zagan: The Alchemist
9. Belial: The Deceiver
10. Beleth: Lord of Chaos and Spirals

Continuing to usher their own devastating sound, Italian melodic black metallers Infernal Angels feature plenty of glimpses of pure aggression that are blended into parts of mournful, disturbing sonic extremity with sudden melodic grafts throughout here. Featuring several great guests on the album, the groups’ fourth overall full-length was released January 20th, 2017 on My Kingdom Music.

Once this one gets going, there’s plenty of fiery and ferocious music throughout here that continues to showcase the band at the top of their game. The album is based mostly on tight, ferocious tremolo riffing that produces a strong, thunderous base for the rest of the music to offer the frantic tempos and patterns featured throughout here. Generating plenty of intensity with the blistering drumming while remaining firmly aware of the tight, frantic buzzing melodies blazing alongside the raging music featured here, and overall there’s a solid amount of work displayed here that makes for a wholly enjoyable time. The one main problem with this one arrives in the fact that there’s just not a whole lot of deviation in the music which has a ton of opportunities to express any kind of variance here yet it doesn’t really offer that here. It’s all pretty much the same general buzzing tremolo melodies and rather tight, same-sounding rhythms for the most part, and that does tend to lower the impact of the album when it’s almost impossible to figure out where on the album you are. However, this isn’t that detrimental as there’s still a lot to like here.

While there’s plenty to like here with this one getting some rather enjoyable melodies alongside the striking black metal elements here, the minor flaws do lower this one somewhat slightly so that it appeals really only for those who enjoy this brand of melodic black metal or fans of the bands’ previous work.

Score: 85/100


Does it sound good? Order it from here:
https://infernalangels.bandcamp.com/album/ars-goetia

Wednesday, April 12, 2017

Grieving Mirth - Calamitosvs Omine EP


Artist: Grieving Mirth
Release Title: Calamitosvs Omine EP
Year: 2015
Label: Loud Rage Music
Genre: Atmospheric/Post-Black Metal
Tracklisting:
1. Malaugurio
2. Indelectatvs
3. Optio
4. Mille Facce
5. Abuso

Coming together in 2011, international post-black metal supergroup Grieving Mirth have brought their collective members’ experience together into a rather solid and enjoyable output of melodic and dreary atmospheric-tinged black metal. With the original recording done several years before vocals were utilized, the groups’ first EP was originally self-released March 18, 2015 before a re-release July 1, 2015 on Loud Rage Music.

By adopting this style of post-metal, the album comes off rather familiar and rudimentary quite easily here as it offers very few deviations for the style. For the most part, it’s basically a series of swirling tremolo riffing in a galloping mid-tempo push that gives this a style similar to a vast majority of the genre as it’s often paired with long-winded sections featuring the same buzzing tremolo riff repeating for some warm, rich melodies. While it’s paired nicely alongside blasting drumming and bombastic, epic keyboards for a generally massive sound throughout here, the simple fact that there’s not a whole lot else to really glean from this one does seem to hold it back somewhat as there’s only so much deviation done in these few tracks and it serves as effective and enjoyable if one-dimensional due to that. The chance to offer more tracks would push for some more deviation throughout here, but otherwise there’s not a whole lot else to find within this one.

Though there’s nothing that overtly wrong with what’s on display here, the fact that there’s room for more to work with in regards to their sound makes for quite an appealing effort only for the most devout atmospheric black metal aficionados or fans of the members’ other projects.

Score: 70/100


Does it sound good? Order it from here:
https://loudragemusic.bandcamp.com/album/grieving-mirth-calamitosvs-omine

Monday, April 3, 2017

Sarkrista - Summoners of the Serpents Wrath



Artist: Sarkrista
Release Title: Summoners of the Serpents Wrath
Year: 2016
Label: Purity Through Fire Records
Genre: Old-School Black Metal
Tracklisting:
1. Intro
2. The Lurking Giant
3. The Gathering of Blackest Shadows
4. Summoners of the Serpents Wrath
5. Ascending from the Deep
6. He, Who Liveth and Reigneth Forevermore
7. The Sea pt. 2 (My Cold Grave)
8. Black Devouring Flames
9. Rituals of Flames and Skulls

Attempting to further their sound, German black metallers Sarkrista have taken their old-school influences that were present on their previous releases and splits to an even further degree throughout here which keeps the band firing through quite prominently in here. Finally returning from a five-year gap between full-lengths, the groups’ true sophomore release was originally released March 6, 2017 on new label Purity Through Fire Records.

From the outset, the band has chosen to adopt a far more cosmic and dissonant approach to the genre than many of their homeland contemporaries, creating a wholly effective experience. This is due to the main driving factor throughout here being nimbly tremolo-picked rhythms that offer massive, sprawling patterns in a wholly straightforward manner throughout here, rumbling along at blistering paces for the majority of the tracks. This full-on sprint makes itself known with the album rarely deviating from this pronounced format with the simplified riffing furthering the buzzing tremolo patterns for the tracks, and with the blasting drum-work and thunderous rhythm-section following suit the album carries quite an impressive streak. Once it breaks away from this style, there’s a little less to like with the bland tempos featured throughout here making it all the more obvious how one-dimensional the music really is which is the album’s singular detrimental flaw. The album is awash in intense, swirling tremolo patterns that are played are quite prominent gallops for the most part, and it never deviates into any form of enhanced technical aspects or rhythm changes which just makes the songs flow into each other quite easily. With only the minor of changes to differentiate each track from the others, it’s a huge blend of fiery, up-tempo tracks that just start sounding the same as the deeper it gets into the album, and with the second half featuring some rather extended numbers this is magnified even more so.

Although there’s still quite a lot to like here with this release in terms of fiery, engaging old-school black metal, the sameness of the delivery might be enough for some to get over that it really becomes worthwhile only to the most devout and hardcore followers of the Finnish wave of black metal or old-school aficionados in general.

Score: 82/100



Does it sound good? Order it from here:
https://sarkrista.bandcamp.com/releases

Wednesday, March 29, 2017

Saille - Gnosis


Artist: Saille
Release Title: Gnosis
Year: 2017
Label: Code666 Records
Genre: Symphonic Black Metal
Tracklisting:
1. Benei ha'Elohim
2. Pandaemonium Gathers
3. Blôt 04:44
4. Genesis 11; 1-9
5. Before the Crawling Chaos
6. Prometheus
7. Thou, My Maker
8. Magnum Opus
9. 1904 Era Vulgaris

Continuing their mark into ever-more expansive realms, Belgium symphonic black metallers Saille have taken the mold of their former mastermind Dries Gaerdelen into utilizing these darker, more intense settings the way the band initially sounded on their earlier efforts. With Dries stepping down to focus on the bookings, the newly-christened five-piece version offers their fourth full-length effort March 13, 2017 on Code666 Records.

Despite the loss of a prominent figure, the band still retains a quite competent and effective showing of their trademarked brand of material. This is effectively bombastic symphonic-styled black metal, full of ravenous up-tempo tremolo-picked rhythms with plenty of explosive, over-the-top symphonics which generate those furious paces throughout here. The riffing is still pretty much the support here, offering that specifically polished, crimson-accented riff-work with the full-on outbursts of melodic harmonies scattered throughout here to make for an intriguing mixture of bombastic and symphonic when mixed with the keyboards. Taking on the grandiosity of their past efforts by layering tons of frantic tinkering and virtuoso tendencies to add to the blistering riffing and blasting drum-work throughout here, and with the album featuring this work for a vast majority of the time it’s expressive and dynamic offering. This does end up with the rather frustrating part of letting the album segue into itself way too frequently here, making for a hard time to tell where you are with all the songs pretty much blending into a veritable sea of keyboards and brimstone-accented guitars for a large portion of the time. It doesn’t become all that detrimental due to the intensity and energy featured throughout here, but it does lower it somewhat.

While it’s not a highly original offering with the repetitious nature of so many of the tracks rendering this one into a bit of a blur at times, there’s still a lot to really like with this one in terms of enjoyable material here which makes this an easy selection for fans of their past work or symphonic black metal in general.

Score: 87/100


Does it sound good? Order it from here:
https://saille.bandcamp.com/album/gnosis

Thursday, March 2, 2017

Mordant (Swe) - Demonic Satanic



Artist: Mordant (Swe)
Release Title: Demonic Satanic
Year: 2016
Label: To the Death Records
Genre: Black/Death Metal
Tracklisting:
1. Vengeance from the Dark
2. Devastating Storm... Evil Holocaust
3. Demonic Satanic
4. Evil Impalers
5. Blacking Metal (Sabbat cover)
6. Desecration from Hell
7. Infernal Curse of Evil
8. Screaming Souls
9. Count Lucifer

Still blazing in the underground, the long-running Swedish black/death metallers under the name Mordant continue to utilize the work on their country’s history and heritage in making this one of the most ferocious yet melodic albums in the scene. Finally coming back after a five-year break from releases, the group finally prepares it’s third full-length effort released November 30, 2016 on To the Death Records.

From the outset, the band manages to employ a quite adept and profound usage of old-school death and black metal into this one that’s incredibly appealing. As the vast majority of the tracks showcase, there’s quite a heavy usage of ferocious, brimstone-accented tremolo riffing that tracks through the fiery tempos and thrash-like energies commonly utilized which makes for some ripping, energetic efforts. The dirty thrashing style here comes across quite nicely with the album’s solid shifts into more traditionally-picked tremolo lead-work and straightforward rhythms that tackle the stylistic energies from the death metal scene. When these rhythms are featured alongside the brimming melodies and pounding rhythm section, there’s plenty to like with this one even though it does point out a rather small problem with this one in being so overly reliant on the old-school tone and mindset in how they organize their riffing that it really loses its identity. No matter how energetic or vibrant the material is, there’s always the sense that this has been done before and utilized to better effect as the short, compact writing does tend to take out some of the sting of these tracks to a somewhat more pronounced degree than expected. It’s not enough to totally lower this one but it does affect it enough.

Given that there are some minor flaws here even with a ton of rather impressive elements, this one becomes quite an enjoyable and impressive outing that will really appeal to the less discerning fans of old-school Swedish black/death metal or those that prioritize those enjoyable elements over its minor drawbacks.

Score: 89/100



Does it sound good? Order it from here:
https://tothedeathrecords.bandcamp.com/album/demonic-satanic

Haxxan - Loch Ness Rising



Artist: Haxxan
Release Title: Loch Ness Rising
Year: 2016
Label: Hells Headbangers Records
Genre: Old-School Black Metal
Tracklisting:
1. Loch Ness Rising
2. 93
3. A∴A∴ (Arcanum Arcanorum)
4. Babalon
5. Aiwass
6. Disciples of the Silent
7. Chemical Perversions
8. The Blackest Chasm
9. Beyond the Grace of God
10. The Aethyr

Formed in 2011, Ohio-based black metallers Haxxan came together from scene veteran Killjoy DeSade’s desire to offer a more traditionally-based old-school black metal attack that gets fleshed out into a stellar outlining of Aleister Crowley’s life. Bringing together a crop of fine musicians into a fully-fledged unit, the group prepares its full-length debut December 2, 2016 with a second vinyl pressing February 17, 2017 on Hell’s Headbanger Records.

Taking its cues back from the genre’s start, this here is quite an adept and wholly enjoyable offering taking on the simplistic nature of early black metal. This one is reliant much more on simple riffing chords and structures which take on the heavier aspects of the genre far more than they do the swirling tremolo-picked rhythms, featuring a heavy take on those plodding, doom-like sprawls than anything else. As well, the inclusion of fiery, more energetic rhythms compared to the swirling mid-tempo efforts throughout the rest of this one and offers a slightly more varied approach within here. This creates the feeling of plodding, oppressive doom with the simple patterns and riff-work that charges along quite nicely with the riffing coming along rather well with the use of ethereal, atmospheric keyboards to complete the picture in terms of generating the tight, churning atmosphere in this one. That the majority of these tracks are placed in the second half here is where this one falters somewhat, as despite the competence and professionalism of the performances of all involved the fact remains that this one doesn’t flow together smoothly in terms of running order, starting slowly and then building up to a cohesive if still odd pairing since it’s all joined together rather than spread out. Given that this is the main issue, there’s not a whole lot to dislike here.

Without a whole lot of really important flaws even if they are noticeable in the end, this one comes off rather nicely for a debut offering which is no surprise given the talent involved and makes this one quite a solid offering for those who follow the creative side involved or are fans of the more simplistic brand of old-school black metal.

Score: 86/100



Does it sound good? Order it from here:
https://haxxan-ohio.bandcamp.com/

Monday, February 20, 2017

Astrophobos - Enthroned in Flesh EP



Artist: Astrophobos
Release Title; Enthroned in Flesh EP
Year: 2016
Label: Triumvirate Records
Genre: Old-School Black Metal
Tracklisting:
1. Enthroned in Flesh
2. Tabula Rasa
3. Blood Libation
4. The Cadaver Monarch

Never one to rush through a release, Swedish black metallers Astrophobos have long been built on their willingness to contribute their full will to their work by taking plenty of time to hone and fine-tune their craft without rushing anything out under their name. After a two-year break from their debut full-length that shows Fredrik Widigs as a session drummer, their new EP was released August 26, 2016 on Triumvirate Records.

As was apparent on their previous efforts, the band is simply out tackling the same fertile and explosive grounds that was laid down back in mid-90s Norway. Firing off those ever-familiar swirling tremolo-picked rhythms and smoldering, brimstone-accented riffing that packs a punch with fiery, dynamic patterns and galloping up-tempo paces with plenty of fervor and enthusiasm, tackling the expected arrangements and tone effectively throughout here. This is pretty much the main guise of the effort which keeps this running short and to-the-point throughout here until it gets to the epic closer, which nicely switches this up into a far more complex and sweeping series of arrangements with the extra running time allowing for the different variances to be present through here to counteract the more traditional elements. That, in a nutshell, is the album’s main problem in that it’s just way too familiar and similar to most other second-wave black metal elements, as it’s the same general tremolo riffing backed by blasting drum-work that’s become quite commonplace throughout here. It’s really the biggest issue against this as despite the short length there’s not a whole lot really wrong with it.

With a lot of high-quality work and no real down-spots other than the overly-familiar and similar rhythms here as part of their old-school homage, there’s more than enough to really get into this one and makes for quite a worthwhile choice of second-wave aficionados or fans of the bands’ previous works.

Score: 85/100



Does it sound good? Order it from here:
https://astrophobos.bandcamp.com/album/enthroned-in-flesh

Wednesday, February 15, 2017

Valfreya - Promised Land



Artist: Valfreya
Release Title: Promised Land
Year: 2017
Label: Independent/Self-Released
Genre: Melodic Folk/Black Metal
Tracklisting:
1. Horizon
2. Odin's Fury
3. Mortal Supremacy
4. Pandemonium
5. The Icelanding Sagas
6. Shame and Despair
7. Peuple du nord
8. Promised Land
9. The Choice
10. Warlords
11. Evolution
12. Undying Tale

Trying to harness their sound, Canadian folk/black metallers Valfreya have spent many years being able to hone their unique and engaging mix of folk and black metal together in a fine mix of styles that continue to show inspiration and influence from Norse mythology. Having dominated the live scene in the interim, the group finally returns from a five-year gap with their self-released sophomore effort January 10, 2017.

Coming across immediately, the band offers a stellar outpouring of their chosen style as they offer some of the finest concoctions of their style as they can. The major focus here is on the tight, lock-step riffing that manages to simultaneously merge their stuttering folk leanings chugging along with the stellar tremolo-picked melodies of their black metal side. This framework makes the material here come off with a highly appealing side as the folk-driven black metal is tinged with nice symphonics to complete an engaging overall atmosphere that captures the epic spirit involved in the conceptual storyline running throughout the album. Given that this epic splendor results in the vast majority of the album containing a rousing, bombastic feel throughout this is played at a bouncy, up-tempo pace that perfectly suits the album’s given themes and manages to give this a strong, stylish and engaging tone that makes for a really enjoyable listen. The biggest issue here is that the album tends to come off rather stuffed and full, especially in the later half where it’s simply more of the same being presented here since this one doesn’t really offer up too much all that different from the vast majority of the other tracks here which means that the album runs together and becomes hard to distinguish from itself quite easily. However, this isn’t that big of a detriment with all the enjoyable material present elsewhere.

Although it’s a little bit longer than what it really should be, the fact that there’s far more to enjoy about this one with its strong mixture of raging folk tunes and fiery black metal rhythms makes this one a fine choice for aficionados of folk-influenced black metal or this type of material in general.

Score: 90/100



Does it sound good? Order it from here:
https://valfreya1.bandcamp.com/

Tuesday, February 7, 2017

Yayla - Pas.to.rale



Artist: Yayla
Release Title: Pas.to.rale
Year: 2017
Label: Merdümgiriz Records
Genre: Ambient Black Metal
Tracklisting:
1. Altars in Temple Sewers
2. Everyday Is Death for Us
3. Pandora
4. Funeral
5. Steadfast Chaos
6. Endless Regrets
7. Mantras of Separation
8. Rats
9. Pastorale
10. They Are Losing You from Me

Finally coming back to form, Turkish ambient black metallers Yayla are joining the continued and expanding ranks of work from mastermind Emir Toğrul as he continues to explore the psychotic madness with yet another one of his solo efforts. Abandoning the approach of the bands’ original works with the five-year layoff, the bands’ return effort and fifth overall was originally released February 5, 2017 on Merdümgiriz Records.

Much like with the vast majority of the bands’ previous efforts, the overwhelming sense of this one is still right up-front with the overbearing ambient elements. Fueled by the dark, desolate guitars droning on endlessly throughout the soundscape here alongside the rampaging drum-work that’s utterly nightmarish, there’s such a strong and overall impactful amount of churning tremolo rhythms to drive this one along rather nicely. This atmospheric black metal-laced background is complimented nicely by the ever-present synths that adds a further dimension to the work throughout here, generating the kind of atmospheric evocations of madness typified by the droning riff-work as well as providing the melodic outlines for the stylish interludes that break up the aural assault featured elsewhere. It’s a strong and dynamic approach that results in finely-crafted, unrelenting assaults of melodic turmoil and madness with outbursts of furious black metal energies, and that serves this one well for the most part while pointing out one minor aspect of this that is a minor drawback. The album’s insistence on providing as many interludes as it does here is enough to interrupt the flow of the album’s descent into madness that was so engaging and coordinated that it feels somewhat like another band broke into the recording and placed them there as they’re stylistically out-of-place with the slower relaxing moods in place of the charging aggression and ambient workouts that were so proficient. Still, that’s not nearly enough to worry too much about this one.

Managing to work out quite a solid and impressive series of elements together with plenty of enjoyable features, this is an extremely strong and dynamic offering that continues to offer up Emir as one of the finest musicians in extreme metal and makes this a worthwhile offering for any fan of his other acts, the genre as a whole or the band’s past efforts.

Score: 92/100



Does it sound good? Order it from here:
https://yayla.bandcamp.com/album/pas-to-rale

Tuesday, January 31, 2017

Balfor - Black Serpent Rising



Artist: Balfor
Release Title: Black Serpent Rising
Year: 2017
Label: Drakkar Productions
Genre: Melodic Black/Death Metal
Tracklisting:
1. Serpents of the Black Sun
2. Dawn of Savage
3. Unbounded Wrath of Venom
4. Heralds of the Fall
5. Among the Fallen Ones
6. Wolfbreed
7. A Vulture's Spell
8. Crimson Stronghold

Never dwelling on their past achievements, Ukrainian melodic black/death metal horde Balfor have certainly taken their time to craft their barbaric black metal assault with the band fine-tuning their approach and style through years of extensive touring and live performances. Now, after a six-year gap between records, the group finally unleashes their third full-length effort released January 15, 2017 on Drakkar Productions.

Taking the cue from their past, the band explodes out with plenty of traditional elements in place to showcase their charging sound in grand fashion. Firmly lodged in swirling tremolo riff-work and explosive melodic leads throughout, the album contains all the brimstone-soaked intensity favored in their blistering approach as the warm, rich accents throughout here create quite the fevered tempos. When this turns around into the more slowed-down, sprawling sections that integrate folk sections and epic-styled rhythms into the flow of the music, generating compelling melodic rhythms through the blackened riff-work as well as these more relaxed areas featured together with the bombastic keyboards and choir sections. For the most part, this approach is given equal time and devotion on the album which makes for quite a striking and highly effective approach that’s quite an exciting and varied effort here as the continually shifting tones and tempos offers up some striking work at times. Despite all the goodwill established by this setup, there’s one small detrimental factor weighing this done in that there’s very surprises in store for the record the deeper it goes, weighing in on the same set-ups and arrangements without really changing them up all too often which really cuts back on the dramatic qualities simply utilizing the same general riffs and approaches. It lowers this just slightly enough even though there’s still a lot to like here.

With plenty of highly enjoyable and worthwhile elements within this one and only a minor flaw that’s not really detrimental, this is yet another strong effort in their catalog that offers up plenty to like for fans of melodic black/death metal or those who are into this style of extreme metal.

Score: 94/100



Does it sound good? Order it from here:
https://balfor.bandcamp.com/album/black-serpent-rising

Viranesir - Supports Flag Burning and Female Raping



Artist: Viranesir
Release Title: Supports Flag Burning and Female Raping
Year: 2017
Label: Merdümgiriz
Genre: Avant-Garde Black Metal/Synthpunk
Tracklisting:
1. I Only Like Meat When I Know the Animal Suffered Thoroughly
2. Metal Is Full of Faggots
3. NSBM = Nigger Sucking Bi Metal
4. Burning the Flag of USA
5. Christians Oppose Abortion Because They Like to Fuck Orphans
6. I Support Isis, Nazism and Child Rape
7. Instagram Orospusu / Fat Bitch
8. 666 - Köylü Orospu
9. 666 - Gülsene Orospu
10. 666 - Gerzek Orospu

Jumping headlong into controversy, Turkish experimental black metallers Viranesir have taken more than a fair share of attempted censorship in their quest to break down the barriers of artistic expression and freedom by willfully inviting any act or topic into their influences. The second full solo album by the band after Emir Toğrul became the sole member, the projects’ tenth full-length effort was originally released January 5, 2017 on the band-owned Merdümgiriz label.

Due to the willingness to involve a slew of influences into the mix, the album is a chaotic and certainly jarring mixture of extreme metal that ranges through a wide mix of elements. Though based mainly in the realm of chaotic black metal, resulting in a solid backbone of frenetic tremolo riffing firing off utterly blistering blasts of chaotic noise against relentless walls of distortion and vehement, violent vocals that forms a solid part of the majority of the album. Suitably plotting alongside the ravenous work is absolutely maddening ambient-tinged keyboards and synths that add a dissonant, haunting atmosphere to the savagery and relentless energy elsewhere throughout the album and making for quite a striking opposition. This approach enables for a truly overwhelming attack that consistently maneuvers from shattering black metal to haunting synths that add a truly nightmarish vibe to the album as a whole. If the album has a failing at all, it’s the utterly low-budget recording as the production never allows the material to generate its full impact as the haze-riddled guitars and triggered drumming is all swept into a nearly-indecipherable blur of noise that really does a disservice to the music as the ripping riff-work and constant tempo-shifts just wash themselves out. This isn’t a detrimental factor, though, and can certainly help this out just as easily as strike it down.

Another top-notch highlight from one of the scenes’ most impressive figures, this continues Toğrul’s run of consistent, high-quality releases in the field and certainly makes for a highly enjoyable and worthwhile effort to look into for fans of his previous works or any adventurous extreme metal aficionado looking for something else beyond the norm.

Score: 87/100


Does it sound good? Order it from here:
http://www.merdumgiriz.org/Supports.html

Wednesday, January 25, 2017

Impure Devotion - Raping the God Privileged Flesh EP



Artist: Impure Devotion
Release Title: Raping the God Privileged Flesh EP
Year: 2014
Label: Self-Released/Independent
Genre: Black'n'Roll
Tracklisting:
1. Lusting for Lilith
2. Locusts of the Omen's Wake
3. Raping the God Privileged Flesh
4. Entombed in Silent Eternity
5. 5.
6. Sluts of Hell (Nattefrost cover)

Storming out of the underground, Texas-based punk/black’n’rollers Impure Devotion have come together to bring out the exceptionally depraved and demented sounds they crave that gets explored quite adamantly throughout this piece. Representing their first professional release, the bands’ debut EP was originally released December 11, 2014.

Featuring a rather raw and garbled approach, the band certainly steps out in the spotlight with a fierce and fiery first assault that’s quite decent at its overall style. The main genesis to be found here is the filthy, thrashing riff-work that carries out the same dirty, high-energy style and content generally featured in a raucous, simplistic manner that really exposes their punk leanings due to the overall simple-minded nature of the material. This rattling, ferocious material gets plenty of work here over the pounding drumming and fierce vocal work that contains a rather high amount of engaging rhythms full of explosive thrash and punk leanings, and when it’s then taken a step further with the low-fi, ultra-raw and near-garage-band quality production here it makes this all the more frantic and intense. Still, that production is going to be a major hurdle to overcome as the vast majority of the album blends into an indecipherable blur of thrashing guitar noise and thudding drumming which is pretty much what the entire album as a whole consists of. There’s not a whole lot of differences in the tracks which gets emphasized by the simple-minded nature of what’s on offer, and basically that all comes down to lower this one somewhat. Even with these flaws, though, it’s still got quite a lot to like at times.

Despite a few minor missteps that hold it back, the main part of this one offers up enough to like here in terms of raucous energy and intensity that manages to generate enough interest for those that can appreciate this kind of style while those that look for more professional output in the music should heed caution.

Score: 60/100



Does it sound good? Order it from here:
https://impuredevotion.bandcamp.com/releases