Search This Blog

Showing posts with label Gore House Productions. Show all posts
Showing posts with label Gore House Productions. Show all posts

Tuesday, February 14, 2017

Guttural Corpora Cavernosa - You Should Have Died When I Killed You



Artist: Guttural Corpora Cavernosa
Release Title: You Should Have Died When I Killed You
Year: 2016
Label: Gore House Productions
Genre: Brutal/Slam Death Metal
Tracklisting:
1. Blood Has Been Spilt
2. See You in Disneyland
3. Remorse for What
4. I Want to See the Light Leave Your Eyes
5. Does He Twitch and Jerk?
6. Anyway, I Had a Good Time
7. There Is No Remedy for It
8. They Would Wiggle and Squirm
9. Crazy World. Lot of Smells.
10. If Anybody Says Their Facelift Doesn't Hurt, They're Lying
11. You Should Have Died When I Killed You

Coming back into action, Taiwanese slammers Guttural Corpora Cavernosa brings their trademark sense of professionalism and general competence when it comes to the genre yet offers a slightly more impressive bent on the material than last time. Having spent the four-year gap obviously honing and fine-tuning their material, the bands’ sophomore effort was released July 8, 2016 on Gore House Productions.

Perfectly capturing the intensity and savagery of the style, the band immediately gets their main influences out in full accordance with the style. Rife with deep, thick riffing full of wet slams and heavy-hitting rhythms that are full of the slowed, simplistic style of the genre as this riff-work comes off with the same type of mid-tempo groove favored throughout here. It’s tight, vicious and quite intense for the most part here as the thick riffs and pummeling rhythms carry this one along quite decently when it wants to here. As simple-minded as it seems, the fact that it still manages to capture the necessary brutality in the riffing thumping along to ferocious slam patterns pummeling throughout here which does get quite enjoyable. While this approach doesn’t make for a bad approach, there’s a singular underriding flaw in this which comes off as way too formulaic and simple-minded than it really needs to be. For the most part, there’s so little changed from the common-ground attack utilized in the genre that it’s not only difficult to pick out what tracks are playing but also distinguishing the band from others in the genre as this one doesn’t leave all that much to chance here simply going through thick slams without really changing up much throughout here. It’s compounded by the fact that this one has such a dreary pace for much of it’s running time that the dull tempos only enhance the rather lagging approach to this one, leaving it quite unremarkable here.

While there’s some solid and at times engaging work here, the utterly bland tempos and an overall majority of rather familiar work to be found here makes this one quite a problematic affair to behold and really only makes this one a pick only for slammer completists or the undiscerning brutal death fanatic.

Score: 59/100



Does it sound good? Order it from here:
https://gorehouseproductions.bandcamp.com/album/you-should-have-died-when-i-killed-you

Thursday, October 13, 2016

Swine Overlord - Entheogenesis



Artist: Swine Overlord
Release Title: Entheogenesis
Year: 2016
Label: Gore House Productions
Genre: Brutal/Slam Death Metal
Tracklisting:
1. I: The Creator
2. Severed from the Godhead
3. Graceless
4. Procreating the Offspring of Gods and Men
5. II: The Preserver
6. (I)conoclasm
7. Invoking an Obsidian Liturgy
8. Riverchrist
9. A Delusion's Paradise
10. III: The Destroyer
11. Altars of a Putrid Resurrection
12. Voidweaver
13. Whispers of the Ineffable
14. Gazing into the Shadow's Maw

An almost-exclusive internet collaboration, US slammers Swine Overlord have brought plenty of progressive touches to the brutal death metal realm as the band goes further than before in this style than they have previously. A densely-layered concept album which offers a unique look at the development of the human psyche through the lens of western religion and eastern spirituality, the group’s sophomore album was originally released September 23, 2016 on Gore House Productions.

This here continues to showcase one of the finest bands in the genre working through quite an impressive and enjoyable repertoire of brutal death metal. Taking that tight, obliterating riff-work through heavy, dense slams and plenty of savage tempos creates a rather harsh and dynamic soundscape that delivers a strikingly ominous tone here with the sweeping rhythm patterns, leaving this one with quite a striking balance throughout. Alongside these efforts are far more built around the album’s more technically-challenging riffing which takes on progressively-tinged noodling, sprawling atmospheric sections with light tinged riffing and a rather more explosive series of paces compared to the more straightforward slam-based tracks which just crush onward with one slam after another. That highly dynamic variety is offered throughout here and really makes for a more engaging offering as the darker rhythmic work is quite well meshed alongside the light atmospheric noodling on display leaving this with a fine overall attack. There’s only a few small issues to be had here which lower this one slightly which comes from the album’s set-up as a concept album which means there’s several short interludes which signify the changes in the storyline yet do nothing but really break up the momentum brought about by the change in styles between the tracks and really could’ve been changed. That also takes into account it’s next issue, which is the overlong running order as it’s a pretty hefty, beefy album to get through and putting in these short interludes is a cause of that occurring. Otherwise, there’s not a whole lot really wrong with this one.

Though there’s a few issues here with the album in that it’s a touch too long and doesn’t really seem to have much use for it’s interludes beyond stretching it out, there’s still more than enough to really enjoy here with this one that this is a worthwhile choice for any slammer or fan of brutal death metal in general.

Score: 94/100



Does it sound good? Order it from here:
http://gorehouseproductions.bandcamp.com/album/entheogenesis

Friday, August 12, 2016

Infectology - Innards of Misanthropic Embodiment



Artist: Infectology
Release Title: Innards of Misanthropic Embodiment
Year: 2016
Label: Gore House Productions
Genre: Brutal Death Metal
Tracklisting:
1. Absolute Disembodiment
2. Gorging on Misanthropy
3. Deification of Insanity
4. Forced Unnatural Carnal Knowledge
5. Inhuman Conception
6. Ritualistic Embodiment
7. Dying on Cauldron
8. Inducing Excruciating Pain

Since their renaming in 2009, Ecuadorian brutal death metal machine Infectology has been branded as one of the most extreme acts to come out of the country, and with a relentless tour schedule that has only refined and sharpened their attack. With a relentlessness that had to be taken outside of the country to fully capture the full-audio assault, the long awaited sophomore album arrives August 12, 2016 on Gore House Productions.

Right off the bat this is a wholly overwhelming and devastating effort that comes about mainly through its series of utterly intense and blistering rhythm work that comes off rather well here. This is tightly-layered and dense riff-work that generates the devastating buzzing hum so characteristic of brutal death metal and manages to sound truly massive slicing and pummeling it’s way throughout the tracks as the varied tempos throughout here allow it to rip and slice through a series of generous mid-tempo gallops and the few frantic, feverish charges where it takes the densely-layered riffing into outer realms of brutality with the blistering tempos. This here is absolutely golden and devastating to listen to, if only the album had any kind of listenable drum-attack here. This rattling tin-can style of drumming is utterly obnoxious and rather distracting from the rest of the music, sounding like rehearsal-room tune-up before they actually start jamming which just has an unprofessional and aggravating tone to it, which is in such sharp contrast to the rest of the album as that is so tight, clean and professional compared to the drumming. It also doesn’t even sound like drums, as the wooden clanging seems more like they’re banging on cow-bones instead of a professional drum-kit, and this factor is such a detriment that it lowers this one significantly and is the only problem encountered here such is the impressiveness of the remainder of their attack.

Had this one been given a quality drum-sound to go along with the rest of the music on display, this would sure be among the top-tier genre efforts of the year but that lowers this one down to the middle of the pack so much that it’s really only advised to those brutal death fanatics who can tolerate that unbearable sound.

Score: 77/100



Does it sound good? Order it from here:
http://gorehouseproductions.bandcamp.com/album/innards-of-misanthropic-embodiment