Release Title: Mankind is Damned
Label: Witches Brew
Genre: Heavy/Power Metal
3. Prevailing Dictators
4. Marching Death
6. Ghost in the Machine
7. Sacred Catalyst
8. Sands of Time
Forming just in 2014, Greek heavy/power metallers Saboter have come together to showcase their shared passion for old-school heavy and power metal while taking into account the thrash influence from the members’ previous act to quickly pump out their first release. A captivating concept album that portrays a dystopian world, the group’s full-length debut was released July 6, 2016 on Witches Brew.
For the most part here this is a pretty dynamic old-school assault of traditional heavy and power metal mixed together into a truly enjoyable burst of energetic material. With the majority of the material here decidedly based on the mid-tempo assaults mixed together with spurts of charging up-tempo power metal-styled melodic rhythms in the riff-work, it has the kind of pleasing approach of offering thumping, hard-hitting rhythms rumbling alongside harmonious melodies scattered prominently across the album. This is a rather fun and impressive style of attack that still offers up the kind of hard-hitting riffing and powerful rhythm section to give the material a nice heavy crunch when necessary yet doesn’t really get too far into that type of material before it snaps off a series of rather fun and fine melodies which combine together into a fine, majestic feel that conjures up the epic material created back in the genre’s heyday. This type of attack ends up bringing about the album’s main flaw here which is that the album’s pace is decidedly a one-note variation which really does come off with the same general attitude throughout here that holds it back with the same tone. That leaves it quite bland at times once it reveals the tricks of it’s trade, and there’s some rather troubling work with that unvarying attack which is featured in this. It’s still quite enjoyable, but does have some troubling factors.
Though there’s some rather minor moments here that come up in holding this one down, the fact that it’s still somewhat enjoyable enough to be listenable makes this a somewhat intriguing effort for fans of old-school heavy/power metal or those that like the slower, more melodic aspect of traditional metal.
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